Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Tuesday, 21 January 2014

A Better Webhead: A Fond Farewell to the Superior Spider-Man

Collected Editions #1 & 2
Late to the Party: Playing Catch-Up with TPBs.
So the spoilers were true – the Amazing Spider-Man is back in just a few short months, bringing to an end the glorious reign of the Superior Spider-Man (henceforth called ‘SpOck’, for the sake of easy identification). I have to say that I’m going to be sad to see him go.

Maybe it’s a sign of the changing times that being an outright try-hard do-gooder isn’t as appealing as it used to be, or maybe it’s because there’s still the taint of Peter Parker’s deal with Marvel’s not-Devil Mephisto lingering around (and here's a well-thought out counter argument to that opinion), but SpOck is by far one of the more interesting takes on the Spidey myth. He’s proactive, actually uses his intelligence, and wears a superb take on the classic threads. That he actually dresses in mad scientist garb when working at Horizon (goggles and all) is just a layer of icing on the cake. There’s humour in SpOck’s pompous arrogance, unintended quips and robot servant, and the way he relates his own experiences against Spider-Man as he’s taking down the villains himself is fantastic dramatic irony. It’s an exceptionally well-written and frequently well-drawn series that applies the Freaky Friday formula to superhero comics, and pulls it off with exceptional success.

SpOck about to take down Massacre...
SpOck about to take down Massacre... Permanantly.
This is Doc Ock however, mass-murderer and criminal mastermind, and there remains a dark undertone of violence (see Annual #1 for his savage takedown of Blackout, or of course the execution of Massacre from SSM #5). If it weren’t for this aspect, if Ock had genuinely turned over a new leaf and become a better man himself, then perhaps it wouldn’t all have to be coming to an end. But, it’s a fragile balance and Spidey is Marvel’s biggest cash cow (with a movie out this year as well), so a return to the status quo is inevitable. What’s unfortunate is that with SpOck’s over-exuberant take on vigilantism, Peter Parker has every reason to throw out the very inventions that made SpOck so superior. I don’t know this for a fact (and will be reading to find out), but I wouldn’t be surprised to see Spider-Man switch back to being Peter Parker in unsophisticated threads and out on patrol himself, screwing up his social life and being back on the wrong side of the superhero community. 

SpOck's Superior Spider-Suit
No more plans?
That doesn't upset me though. Whilst I may have seen this before, there's a generation or two of comic readers out there who won't know that Spidey, and he's one worth knowing. Perhaps that’s the secret to keeping the character so successful; the ever-developing car-crash of the X-Men books provides the other side of that coin...

Whatever the outcome for SpOck, it’s been a heck of a ride. Thank you Dan Slott and co for making Spider-Man engaging, interesting and immensely readable. And for this reader, making him not Peter Parker, even if for only 16 months worth of great comics.

Monday, 30 December 2013

The Resolute Collector

The Party Dude!
Christmas has been good to us here at the Mos Espa household, but things are settling down to normal again now. One of my gifts from the Emcat was the superb TMNT Classics Michelangelo figure seen above, and I can't stress how great this guy is. Despite loving the original cartoon over and above anything else, the Classics figures didn't appeal to me at first; however in recent weeks I've become truly converted. I'm looking forward to picking up Leo, Raph and Don as soon as funds allow.

That's not all I'm looking forward to though. You may have noticed that 2014 is just around the corner, resplendent with the optimism that a new year always seems to bring, and as such I'm going to highlight a few of the figures that I'm most looking forward to over the coming months...

T-U-R-T-L-E Power!
Continuing on a theme, there's the TMNT Classics Series 3 to look forward to, which features the Turtles based on their appearance in the first live action movie from 1990. That was the first movie I remember getting bed-wettingly excited about, and I completely wore the soundtrack cassette out from repeated late night listening on my Walkman, so these guys are dead certs for the collection.

Image from TFW2005.com
Arriving later in the year is the MP-22 Ultra Magnus "Perfect Edition" from the Transformers Masterpiece line. There are no images of it yet, but early reports indicate it will use the existing MP-10 Convoy mold for the cab, in true G1 style. I don't yet own any Masterpiece figures as I'm still deliberating where to start, but as Ultra Magnus is a big hitter for me in TF terms this is one I'm very excited about. It will most likely cost a bomb, however...

My money's on Spider-Man.
Hitting stores a lot sooner is the rebranded Marvel Legends: Infinite Series, which combines all of the movie related waves under one catch-all line. I'm loving the Superior Spider-Man comic right now so I'm very much looking forward to picking up SpOck, as well as Captain America in his 'Super Soldier' costume from the Winter Soldier wave. ASM2 Spidey and Boomerang are also on my radar, but those first two are on my want list for certain.

*

So that's three lines that will almost certainly be getting my money over the next 12 months, but it doesn't stop there. I've collected my thoughts on the state of the Star Wars line here, but of course there is the upcoming Rebels to look forward to in the Autumn. I'm late to the party but NECA's Predator series looks like it's been churning out some pretty incredible figures, and then there might be some interesting offerings from the Transformers 4: Age of Extinction line. I'm not sold on a lot of the Bayformers but Dinobots? Hell yeah!

With all of this excitement for the future, I guess that wraps it up for 2013. It's been a good run for the blog with an expanding readership, brand new look and redefined focus and purpose, and I'm enjoying running it here more than I have at any point before. Massive thanks to each and every one of you who has taken the time to read my ramblings or to look at my pictures, and thank you even more so if you're a returning visitor or commenter. The comments mean a lot to me, and I appreciate you taking the time. 

I wish you all a most excellent 2014. It will be better!

Tuesday, 19 November 2013

Man Down

A Show of (X) Force
I don't keep up with Marvel Comics anymore, except for the odd issue of Superior Spider-Man, but despite that I've still got a soft spot for the X-Men, no matter how silly/muddied the storylines keep getting. I'm of the Jim Lee era so these costumes on Deadpool and Wolverine from his first solo movie are the ones for me, pure 90's superhero gold. These guys being great only deepens my regret though - I've never forgiven myself for not picking up Maverick on clearance when I had the chance...

Thursday, 1 August 2013

On Location

Leo going solo.
I re-arranged my Flickr sets today, and as I pored over the photographs from the last three years I was struck by how bad some of my initial efforts were. Unfortunately, some of the more recent ones stuck out as well, and it struck me that my biggest issues are lighting and setting, two of the three key components of a photograph (the third being the subject). I thought I'd pay a little attention to this for today's post...

Leader in blue!
It's unfortunate that I don't have room to store different sets, much less the time to build them nowadays, and a cluttered house doesn't really cut it as a backdrop when photographing 1:18 scale figures. Fortunately though, as fantastical as Star Wars is, if you live near a swamp, woodland, desert or beach, or even some destitute scrub land, you've got the ideal setting for your action figure photographs. Although living in the middle of the UK isn't ideal for a desert or beach, it more than does the job when looking at Dagobah or Endor...

BTS: The glory of cropping!
But what about the urban heroes? Northampton really isn't much of a cityscape, the lift tower being the sole defining feature of the skyline, and if I struggle with building a set for something fictional, I think I'd really mess up a scale recreation of an NYC rooftop. So how best to photograph them? Why, multistory car parks, of course!

Miles Morales...
I frequently try and find a lighting set-up that works best for me at home, in the lightbox or otherwise, but hands down using natural light is the best. The colour balance looks right, and if you pick a  good spot (somewhere open but out of direct sunlight) the lighting is crisp and even across the subject. Occasionally you may need to use a reflector to get the light to go exactly where you need it, but you should be fine without. Also, the more light that is available, the less your camera has to compensate by auto-filling information. This is what happens when dark pictures appear grainy; there's not enough information for the camera to create a whole picture, so it fills in the gaps itself. It's always better to shoot light and darken the image in post, if needs be.

...the Ultimate Spider-Man!
A car park fits the bill of being somewhere open but out of direct sunlight, and provides a gritty and urban setting for our more 'street' figures, with a view across the rooftops to boot. Furthermore during the day the higher-up levels of the car park are rarely used, providing all the privacy a grown man playing with toys in public needs!

Ninja Protector!
It's not perfectly to scale, but the car park fits the bill well enough, and it's nice to finally have somewhere to play with capture my superhero figures at work. What's even better is that I'm finally starting to get the quality of photograph that I've been after since I started. Onwards and upwards, I suppose...

Good luck with your own on location shooting, and thanks for reading!

Monday, 29 July 2013

Ultimate Comics Spider-Man 6" Figure Review

Definitely not in bad taste.
This week we'll be looking at the Ultimate Comics Spider-Man 6" figure, from last year's Amazing Spider-Man movie line. The single wave consisted of the ASM (movie costume) Spidey, the Lizard, and in a nice surprise this guy, the new Ultimate Comics webspinner Miles Morales. "Who is this usurper?" and "how good is his action figure?" are questions you may be asking yourself. Well, read on if you'd like to find out the answers!

Ultimate Comics Spider-Man #1
After being bitten by a radioactive spider that was smuggled out of an Oscorp lab by his uncle, thirteen year old Miles Morales developed similar (but not identical) powers to those of Spider-Man. Following the death of the Ultimate universe's Peter Parker, and Miles' guilt at not helping in the fatal battle, he takes up the mantle of Spider-Man himself. As with all good spider-men personal tragedy runs rife, and he's already paying a high cost for the costume...

Packaging Front & Back
So, on to the figure. The packaging follows the template from the ASM movie line with the same visuals and cut of the card, and there's really not much to say about it, other than that this costume pops on the image on the back. These things are made for opening though, so let's see what we get!

Figure, shield and stand.
UC Spider-Man comes packaged with a stand and a clip on web shield, both of which look pretty cool and provide a good looking, if not particularly Spidey-esque display option. That's already more than what came with the 3 3/4" Ultra Posable Spidey, so we're off to a good start...

Face front!
First thing I noticed was how sturdy the figure felt out of the packaging; although I then felt like I was putting that theory to the test with my first attempt at posing. The joints were properly stiff, and I felt like I was going to snap the leg off, but after the first click the hip joints started to move a bit more freely. This figure boasts a whopping 25 points of articulation (including double joints on the shoulders, elbows and knees) which allows for amazing posability, but unfortunately it also suffers from only having a swivel head, which limits how good some poses can look. This is compounded by the hunched neck, which looks cool in some poses but really doesn't work in others. The thighs can only bend so high, which restricts some of the more athletic poses we're used to seeing with Spidey, but really these are the only drawbacks; the articulation is otherwise very well done.

And back!
Cast in black plastic, there's very little actual paint on the figure, but what is there should be good. The intricate lines and design of the costume are very cleanly applied, and the eyes have a pearlescent sheen that matches the black and red colour scheme perfectly and looks beautiful. It's a good looking costume and one that they've applied to the figure very well. On my sample (mail ordered) there were some chips in the paint which are noticeable on close inspection (and unfortunately I can't unsee the red dot on his left eye now), so if you get the chance to inspect this figure before picking it up it's worth giving it a scan. Individual blemishes aside though, the paint job is very well done.


The last strike against this figure is more about the character than the toy itself; Miles is a young teenager and is drawn as such in the comics, whilst this figure looks more like a fully grown and pumped adult. Overall though it's good we've gotten an action figure of Miles so soon in the character's history, and despite its few flaws this is a very solid toy.

*****
Thanks for reading!

Thursday, 11 July 2013

LoEB: Hake’s Shopping Spree (Redux)

Now, this is a League challenge to get the blogging muscles moving. After a few weeks off I'd planned to take up this week's assignment anyway, but what a great one to return to!

Starts at 99p!
Go on a fictional shopping spree at Hake’s current auction #209 to make your collection a little more amazing.

Oh, and I should mention...

One blog entry will be selected to receive $100 credit to spend at Hake’s!

Welcome back, Extraordinary Bloggers!

I'm going to set a limit of five items, just to make it challenging. Otherwise, y'know - I'd end up getting it all... I'd originally thought about setting a price limit as well, but that was too much. This is supposed to be fun!

OK, first up, the question says 'amazing' - to me that says 'Spider-Man'!


Lot 1
There's not actually a Spidey ring in there, but it's close enough, right?! Besides, it's really not like I'd actually open this if I were fortunate enough to win it. I know, I've proclaimed many times before that toys are meant to be played with, but damn man - this is genuine vintage! TVC need not apply...

Next up, it's a real blast from the past:


Lot 2
Ring Raiders was a brief fad from my childhood that I've never seen mentioned anywhere else, to the point I was questioning its existence. My friend Luke had the pilot (hah!) episode on video, and we collected these toys manically. As I recall there were good guys, who had a large sea-based air carrier, and they flew planes against bad guys. The (toy) planes sat on translucent struts that attached to rings, meaning they could be 'flown' on your hand in a kind of Top Gun/Micro Machines mash up. This provided hours of fun, at least until the next big thing came along; although I'm lacking the time frame to estimate what that would have been...

For more vintage goodness, what if adventure had a name?


Lot 3
That's right, it does! People go nuts over vintage Star Wars cards, but to me this is a far nicer product, and I've never even seen one first hand. I think the vintage Indy figures look great, so charming and fun looking. As a kid I used my POTF2 Han in Carbonite as a substitute, but it was never the same, and the recent Hasbro line? Well, there were highs and lows, let's put it that way.

Fancy seeing the back of the card? OK!

Lot 3
Nice.

I've documented my love of comics in an older League post, but my heart lies with newspaper strips. Specifically with Calvin and Hobbes, but it was Garfield that taught me to read and my affinity with the medium lives on. Subsequently, this is a must buy:

Original 1971 Peanuts Artwork
Lot 4
Schulz was a true great of cartooning, maybe even the greatest - his work redefined the comic strip landscape, and his humour was, believe it or not, considered quite cutting in the 50s. Without Peanuts we wouldn't have Calvin and Hobbes, Garfield, Mother Goose and Grimm or countless other great strips, or at least have them as we know them. What better way to celebrate such a great talent than to own some original work? Sad as it is to say, it's one thing there won't be any more of.

Last but not least, it's a peculiar item that highlights the kind of behind-the-scenes work I love seeing.

Batman: The Animated Series Promotional Style Guide

Lot 5
The unique animation of Batman: TAS won it a lot of fans, myself included, and was successful enough to warrant a comic book spin-off (kinda like a boomerang) and a Superman series in the same vein. Working on an animated show is my ultimate career aim, and although I'm more on the writing side of production I really enjoy seeing the work that goes into the development of a series like this. That it's Batman is a bonus, but even just seeing a little bit of how it's done makes me feel a step closer to doing it myself.

And how about a glimpse of madness?

Lot 5
The Sinister Six come close, but ultimately this is the best rogues gallery in pop-culture, bar none!


Those are my selections from the auction, but there's so much stuff in there I could easily have missed something. I surprised myself by not picking anything Star Wars related, but when there's items from across the spectrum of pop culture to chose from, why stick with what you know?

Here's what other Leaguers would like to take home...

Random Nerdness has some nice items, including a sketchbook by comic legend John Romita Sr. Do we call him Sr? Or is he just John Romita and JRJR is just Jr? Can we get a confirmation on that?

AEIOU and Sometimes Why hit up another five items and provided a public service to boot...

Shezcrafti makes a mean collage (and we'd get in a bidding war over the Dr. Jones figure).

Branded in the 80s wins my intangible favourite post of the week award, with heart, discipline and Chicken Walkers.

Finally, G.I. Jigsaw is new to the League and signs on with some vintage figure goodness and Wyatt Earp. Good stuff!

That's it from me for this assignment. As ever, thanks for reading!

Sunday, 5 May 2013

Garden War!

Ambush!
Free Comic Book Day 2013 was good to me, as I picked up three IDW Transformers issues amongst many others - an Alex Milne sketchbook, a re-print of Buster Witwicky and the Car Wash of Doom, and best of all, Re-Generation #81. The latter comic is a brilliant read, as it picks up from the end of the old Marvel series, with characters and a status quo that I know and remember fondly. Subsequently, I found myself in a Transformers mood...

Cyclonus
G1 Transformers are mainly where it's at for me. I have some fond memories of Beast Wars, and love the design of Lio-Convoy (amongst others) - I certainly never subscribed to the 'Trukk not Munky' mindset - but the G1 cartoon and movie are what I think of when someone says 'Robots in Disguise'. However great the toys were for the mid-80's though, they don't stand up to today's standards, and that's where the Universe/Generations line does such a great job.

Cyclonus is a faithful interpretation of the G1 character design, the likes of which we didn't get with any Autobot or Decepticon back in the day, down to the colour scheme and the fantastic light-piping that make the eyes burn red. This version is from a Reveal the Shield two-pack that came with Rodimus Prime and a Matrix of Leadership - unfortunately I bought this second hand, so my only Hot Rod is an actual G1 version - but Cyclonus here did come with his firearm, the amazingly updated Targetmaster Nightstick. The amount of articulation, unthinkable in the 80's, coupled with the character likeness and playability (the transformation is sublimly intuitive) make Cyclonus a shining example of how Transformers should be done...

Autobot Jazz
On to the Autobot side of the battle then. I've already blogged before about Jazz and the heartbreak associated with that particular guy at G1; since then though I'm pleased to announce that my Reveal the Shield version has remained in one piece (but excuse me for a moment whilst I knock on some wood!).

What I loved about the old Marvel UK comics, besides the fact it was weekly installments of the Cybertronian War, was that it was my first exposure to a seperate continuity, and to the idea that the stories I could tell with these characters didn't need to be rail-roaded within the confines of the cartoon universe. That seemed like a decent preparation for pop-culture today, with re-boots and Ultimate Comics and live-action movie versus first-generation animated movie factions becoming increasingly normal; and I love it. Sure, we get some stinkers like Revenge of the Fallen, but then we also get the Dark Knight Trilogy. It evens out!


Bringing it back around, I'm glad that a comic like Re-Generation exists, and I'll keep reading. It's Transformers as I remember them, and I'm very happy that it's being continued - Bludgeon, Skorponok and Megatron as the Decepticon heavy-hitters suits me just fine.

Fight!
Thanks for reading!

Saturday, 4 May 2013

LoEB: Comic Books

league comics

Another week, another League post - I'm getting good at this! But this subject, man, what a doozy... COMIC BOOKS. Where to start?

Stage One: Elementary Reading

Paul Ryan
OK, for me it all started with Garfield, but newspaper strips are a whole 'nother art form in themselves and not one I'll talk about this time round. Milton Keynes market, very early 90's, where my Mum used to get me big bundles of comics. I loved Fantastic Four, but only for the frequent appearances of Spider-Man; it was a little while before I realised he had titles of his own! Regardless, from those early days, my favourite issue was the smackdown fight between the old and new Fantastic Fours, leading to Wolverine slashing the Thing's face, and the Thing reciprocating by punching Wolvie through some buildings and then having to wear a bucket on his head. Put that in an issue with the added bonuses of Spidey AND Ghost Rider, and you have a *ahem* modern classic!

Stage Two: Getting Hooked

Artist Unknown
When Sam moved to my village in '93 with a mutual love of comics, I got into them Big Time (see what I did there?). The Marvel UK reprint series 'The Exploits of Spider-Man' gave us modern issues, past classics, posters and news about what was going on in the Marvel Universe. Comics were available at newsagents, and we both devoured anything and everything we could. The 2099 universe was a huge deal for us (Miguel O'Hara becoming a favourite of mine), and together we created our own superhero universe and comics, under the banner Outer Limits. Our flagship character was Lobster Man, and we put together five full-length black and white comics (three Lobster Man, one Mutations and one Ice Master) and three inventory issues, which was impressive for pre-teens. Our efforts saw us get invited to the Marvel UK offices, where we met Tim Quinn, got shown around the studios and offices and given a bag full of free comics, including one signed by Stan Lee himself! Truly epic times.

Stage Three: Hard to Keep Up

Mark Bagley
I loved the Scarlet Spider, and the Clone Saga had me hooked to begin with, but around this time comics stopped selling in newsagents, reverting to the underground of speciality stores. As a kid I still got what I could, but not regularly enough to keep up with everything as frequently. Also I was getting older, and divergent interests, along with peer pressure, saw me start to drop away from comics. I picked up a few issues of the Ben Reilly-helmed Amazing Spider-Man, but stopped before his untimely demise at the hands of the Green Goblin in SM #75. 

Stage Four: Focus

Mark Bagley
Chriscross





















In the late 90's I pretty much stopped reading Spider-Man due to the awful storylines and worse artwork, and only read X-Men sporadically (despite Joe Madureira's stunning pencils); however, at that time two titles drew me in with a dedication I hadn't had before - Thunderbolts, and from the pages of Spider-Man, Slingers. Thunderbolts utilised the brilliant concept of villains pretending to be heroes, who then discovered they liked the feeling of being good guys too much to carry out their plan. Writer Kurt Busiek expertly managed the doubts and personal relationships of the characters as they faced Avengers-like situations from their unique point of view, and longtime Spidey artist Mark Bagley provided sharp visuals and costume designs. The short-lived Slingers was an entertaining series about young kids being thrust into the world of superheroes, with engaging character dynamics and energetic, highly-stylised art. This series could've gone on much longer than it's 12 issues (and one Wizard #0), in my opinion...

Todd Nauck
From the Distinguished Competition, Young Justice filled the void left by Slingers and started my shift away from Marvel Zombiedom. Humorous characters, giant slices of character development and drama, and zany adventures all gave a sheen to a series with real heart. I hadn't cared much for DC outside of the big events before reading this series, but my horizons were broadened; so much so that this was the last ongoing series I collected regularly from either of the big two.

Stage Five: Branching Out

Andi Watson
I was winding up my love affair with superhero comics as 'real life' (girls and a social life) began to take over. Then a good friend from school who worked in the local comic shop put a copy of Blue Monday in my hands, and I was hooked. Blue Monday led very quickly to Hopeless Savages, who remain my number one all time favourite comic family, and this in turn led, through the amazing art of Bryan Lee O'Malley, to Scott Pilgrim. From there I embraced the indie publishers, rifling through Johnny the Homicidal Maniac, Street Angel, Lenore, Love and Rockets, Channel Zero, and many more.

Brian Wood
I was fortunate enough to meet O'Malley a few years ago, and I got him to sign my dog-eared copy of Ground Zero. He wasn't that flattered that I'd bought his earliest published work, but it's where I fell in love with his style!

Stage Six: Natural Conclusion

Bryan Lee O'Malley
Marvel's Civil War bought me back into the mainstream superhero fold, before Spider-Man's deal with the not-Devil punted me right back out again; all the same though, I began to tread between the indie and mainstream publishers without ever committing to any series completely (save for Scott Pilgrim, DMZ and Scarlet Spider). My love of the medium led me back to creating my own comics and in 2008, after years of drawing one-page strips, I finally started putting together my own mini-comics. I carried this on for many years, before realising I would need to significantly improve to make a real go of it; subsequently I've just (as in, on Wednesday) finished a two-year film-making course to better understand storytelling, both visually and emotionally. I haven't completed any comics in that time, and have a feature film script to write first; but I might just crack out the old ink and pens again sometime soon...

Yours Truly, circa 2011
Wow, that turned into a bit of an essay! The passion's clearly still there; guess I just need to stoke those fires. To those of you who made it this far though, thanks for reading!

More from the League:


Thursday, 31 January 2013

Shelf Review: Gambit

Shelf Reviews! Wherein I write bitesize reviews of figures I've acquired second hand. Why let the MISP guys get all the fun?

I had never heard of the term 'Cajun' before reading X-Men. Comics are brain food!
Marvel Universe Gambit, how do you do? Since I collect better with a focus, I decided that rather than just buy Marvel Universe figures randomly, I'd be better off working on teams. As I already had a 90's costume Wolverine and a penchant for X-Men, where better to go for my line-up than the iconic Lee/Claremont era Blue Team?

Now THIS is a mutant super team.
Marvel Universe figures have been slightly hard to find over here in recent months however, and so I've been resorting to Ebay. Of my recent Blue Team searches, Gambit here has been the only one to turn up at a reasonable price. Was he worth it?

Well, it looks pretty much like Gambit. The paint apps on my figure are superb, the black eyes/red pupils really make the resemblance His blue neck guard is missing, but otherwise this is a good rendition of the character. The coat is molded into a billowing position, which I actually really like; it provides good balance and looks dynamic even in a standing pose.

The worst flaws with the figure are the articulation, or lack thereof. It would have been infinitely improved with swivel wrists, no doubt, and being able to hold his staff isn't the same as being able to pose with it. He's quite tricky to get to stand up, although mine has loose knee joints, which never helps with that. Another significant absence is his playing cards; his left hand feels empty without them.

This is how everyone dressed in the 90's. Really, it's true.
On balance, I'm happy enough with Gambit to put him in the collection, and I think he'll look swell as part of my Blue Team when it's complete. However, for his flaws, I have to say I'm happy I didn't pay full price for him.

Thanks for reading!

Tuesday, 10 July 2012

The Amazing... The Spectacular... The Poseable Spider-Man!


As promised, I went out and got some new and improved shots with the poseable Spider-Man figure. This guy's a lot of fun, I can see him becoming a mainstay...

Go web go! Oh wait - that was the other guy...


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