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| Here We Go! |
Perhaps it’s a sure sign that I have too much time on my
hands, but this is it – the start of my watch and review of the original Transformers animated TV show. Whilst I’m
not going to go through every series in strict chronological order, there’s probably
still no better place to start than with the original arrival from Cybertron…
Before the comic book, More
Than Meets the Eye was the three-part cartoon pilot that introduced the first generation of
Transformers to Earth, and it sure opens with a bang: that theme song, combined with a colourful, fast-paced montage of
action shots that lets the viewer know that they’re in for a sugar rush of fun.
It’s eye-opening and exciting, and even if it is a bit crude
by today’s standards it’s still highly effective at setting up the sides of the
conflict and the concept. It definitely reels you in.
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| Enter the Tetrajets |
We come straight into the action on Cybertron, with the Autobots desperately hunting for more energon
resources as the Decepticons tighten the net around them. These intro scenes do
a good job of setting out the basic premise whilst the Cybertronian alt-modes are
visually fantastic, with Bumblebee and the Seekers in particular looking like the sleek,
futuristic alien vehicle robots they’re meant to be. Size and mass issues are
apparent almost immediately as an injured Bumblebee hitches a ride inside
Wheeljack, before transforming into a vehicle of almost equal size. As this
actually happens so much during the entire series (this isn’t even the worst
instance in this episode) I’m not going to draw any more attention to it unless
it’s really glaring; but still – improved physics were a welcome addition to
later versions of the franchise!
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| Home Sweet Home |
With the type of compressed storytelling that’d give Brian
Michael Bendis an aneurysm we’re on Earth in little over eight minutes of
runtime, before succinctly skipping ahead four million years. The Decepticons
are repaired first, and there’s nice dramatic irony in the way that
Starscream’s petty anger causes the Autobots’ own reactivation. Of all the
Decepticons Starscream has the most apparent character in this episode, as his
scheming and cowardice is painted in pretty broad strokes. On the Autobot side
Hound and Cliffjumper get the most character time as Cliffjumper’s
impetuousness causes their spying mission to go awry. I was surprised by how
much I liked Hound, an Autobot I’d never cared for before, but his easy going
character and love for nature is clearly stated and immediately makes him one
of the more likable robots we meet. On that note, it seems apparent that the writers
attempted to stagger the character introductions throughout the episode, but by
the time Jazz is lining up the Autobot strike force it really becomes no more
than a bunch of names and different coloured cars. Never mind though, that’s
what the tech specs were for, right? Just don’t tell the FCC…
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| Heroic Autobots |
There are nice references throughout to how the Transformers are robotic beings, which I
don’t remember occurring as clearly in later episodes. Bumblebee sustains
damage to his rear axle, for example, whilst Hound has a problem with his
drivetrain after being attacked by Laserbeak. This is just reaffirming the concept,
and the fun of the idea for young minds – these warriors could literally be our
cars, with us none the wiser. Robots in Disguise
indeed.
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| ...And Evil Decepticons |
The sound design is well worth commenting on. The music
tracks are pure 80’s cartoon gold, and the sound effects have become so iconic
that they’re instantly recognisable – the transforming noise and Megatron’s
cannon are just a few of the audio treats that became staples for the series.
The seeds of the great voice work to come are there, but the characters here are
the least developed they’ve been in any iteration of the franchise ever. It’s
going to be interesting watching how these sketches became the now-familiar
heroes and villains of Cybertron as the series develops.
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| To Be Continued! |
At the episode’s climax the Decepticons raid an oil rig, and
the story starts to deliver on the promise of the premise as the two factions
battle fiercely. The Autobots and a couple of human workers are trapped
underneath the burning wreckage of the rig as the Decepticons flee, before BAM!
Along come the end credits and we’re left waiting for Part Two.
More Than Meets the Eye Parts Two and Three are less successful when viewed in one hit, and from the Burma plot line onwards events feel superfluous, and more like extended standalone episodes than necessary additions to the introductory story arc. In fact the first three episodes cover such a wild amount of ground by today's standards that the structure seems all over the place, and certainly doesn't come together as cohesively as multipart stories in later series.
More Than Meets the Eye Parts Two and Three are less successful when viewed in one hit, and from the Burma plot line onwards events feel superfluous, and more like extended standalone episodes than necessary additions to the introductory story arc. In fact the first three episodes cover such a wild amount of ground by today's standards that the structure seems all over the place, and certainly doesn't come together as cohesively as multipart stories in later series.
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| Now this is how you conclude a story arc... Oh wait - it's not? |
But ultimately the 1980’s was a different time for kids’ TV programming, and
whilst the fast plotting and inconsistent (inconsistently brilliant) animation might not stand up by today’s standards,
the opening episodes really do a great job of highlighting the fantastic
concept behind the Transformers, and the play possibilities inherent in the toys. That
core concept still works, and that’s probably the reason why the Transformers are still around now, a whole
three decades later.
Thanks to the excellent TFW2005 for the screengrabs; it's a truly great Transformers resource.
